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The antiques
glossary - antique terms f covering everything from faberge
to fusee and faience to furstenberg.
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Below you will find antique related words or antique terms begining
with 'f' covering everything from faberge to fusee and many more
that you might find useful.
The list is not exhaustive but we will add to it as time goes by.
The descriptions detailed are only intended to be relevant to how
the word or term relates to antiques and although the same word
may have other meanings in other contexts, we have not and do not
intend to detail those meanings here. In some instances we have
included pictures to enhance the meaning of the word or term and
we have also indexed each word in order that you may link to the
explanation when the word or term appears in other pages on the
site.
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Russian designer and manager of the faberge workshops that produced
meticulously crafted objets de vertu and jewellery.
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Decorative steel studs cut with facets fashionable in the 18th
and 19th centuries. Used for buttons, belts, sword hilts and
jewellery. The main production centres being Woodstock near
oxford and Mathew boltons factory in Birmingham.
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The small flat surfaces ground onto cut gemstones. Often to
enhance colour by sacrificing brilliance. Also --angular light
reflective surfaces in bright cut engraving.
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16th and 17th century high quality glass wares made in the Venetian
style, mainly in Britain, germany and the Netherlands.
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faience
(ceramic – tin glazed - earthenware)
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Is the name given to french tin-glazed earthenware developed
from Italian maiolica.
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Also
- the name used for tin-glazed products from germany and Scandinavia.
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Delftware
is the british version of faience ware and delft the dutch version.
Faience was first produced in france in the 16thC by italian
craftsmen from the town of faenza in italy. Early designs emulated
Chinese porcelain.
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Also
- faience blanche produced and used in the 17th and 18th centuries
and developed for everyday use.
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Also
- faience fine, the French version of british creamware introduced
in 1768, it is usually lead glazed rather than tin-glazed.
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fairings
(ceramics - porcelain - comical figures)
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Cheaply
produced porcelain animal or human figures made for sale or
as prizes at fairgrounds form 1860 to 1914. Often comical in
theme, with risque captions beneath. Fairings made from 1860-1890
in germany and Austria were produced in moulds and have solid
bases. From 1890 to 1914 hollow imitations were mass produced.
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High
quality lustre ware decorated with fairy land scenes by daisy
makeig jones and registered by the wedgwood factory in 1915.
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Fairy
land lustre was marketed throughout the 1920’s and into
the 30’s and is highly collectable and sought after today.
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fake
(forgery
- something other than what it appears to be)
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A genuine object altered in some way to represent something
else, not necessarily to deceive.
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The hinged lid on a desk bureau or secretaire that folds down
to form a writing surface, often supported by pull-out lopers.
It is also know as a drop-front.
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A french term referring to families or palettes of enamel colour
used on Chinese porcelain. Famille verte, introduced in the
mid-17thC is dominated by green (and contains yellow, aubergine,
black and blue), it was largely replaced by famille rose around
1720. Famille noire is famille verte with the background filled
in black and famille jaune has a yellow ground. Famille noire
and juan are often painted onto an unglazed bisque body.
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An accessory for women especially in 18thC Europe, used to generate
a breeze and to communicate modesty, coyness or for discrete
flirting. The rigid fans of the ancient civilisations and renaissance
Europe have a long handle topped by a leaf of parchment, fabric
or feathers within a rigid frame. Folding fans originated in
china and came to europe with the Portuguese in the 15thC. Ribs
of bone or similar material are covered with a pleated semi-circular
leaf of paper, silk or lace. Also -- Brise fans made entirely
of overlapping ribs of ivory, mother of pearl or bone with a
ribbon threaded through the upper ends (brise is French for
folding). Also -- cockade fan which can be pleated or brise
but opens out into a complete circle.
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A type of pocket watch that was mass produced in Britain in
the first half of the 19thC. The dial is usually decorated with
a painted rural scene. Large versions are sometimes referred
to as turnip watches.
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A quarter of an old pre-decimal penny. Issued in silver in the
13thC; in copper from 1672; in bronze from 1860 to 1956. Farthings
ceased to be legal tender in 1961.
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tThe french term for a secondary wood such as beech painted
to simulate an exotic wood such as rosewood; an effect used
in the early 19thC.
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An 18th or early 19thC pill or patch box in the form of a dummy
watch, from the French term meaning false watch. Some are made
of bilston enamel.
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Trade
name for a type of iridescent art glass developed by the US
designer louis comfort tiffany c1892.
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It
was made in a variety of colours and the oil on water effect
was created by spraying the hot glass with metallic salts or
by applying acid or metallic lustres to a cooled surface. It
was mainly used for vases.
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feather-edge
Engraved or bright-cut patterns of fine, slanting lines that decorate
the edge of silverware. Feather-edging was used on flatware c. 1760-90
and on the handles of silver cutlery from the late 18thC onwards.
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feldspar
porcelain (ceramics - bone china - spode)
A tough form of bone china which contains pure feldspar in place of
Cornish china stone, which is only part feldspar. The first successful
feldspar body was produced at coalport, but spode was the first to
name the body and mark pieces feldspar porcelain c1820. The idea was
soon taken up by other Staffordshire potters. |
fender
(metalware - fire part - club fender)
A low screen or rail of cast iron, copper, brass or steel designed
to stop coals rolling out of the hearth. Fenders were introduced in
the late 17thC when raised baskets or grates lifted the fire off the
ground. They may be movable pieces or a continuation of the fixed
fire surround. A fender curb is a shallow version used on a broad,
deep hearth. Club fenders or seat curbs are combined fender and padded
seat connected by metal bars. |
festival
dolls (doll - japanese - tradition)
English term for hinaningyo - extravagantly dressed Japanese dolls
made for doll festivals at which Japanese boys and girls were ceremoniously
initiated into traditional customs. The dolls were traditionally handed
down from generation to generation. |
fielded
panel (furniture - raised panel - bevelled)
A flat, raised panel in a wall or a piece of furniture with bevelled
edges. |
figure
(human form - pattern in wood or textile)
The markings, grain or pattern on a piece of wood.
Also
- A figured textile is one with a pattern of figures or naturalistic
subjects as opposed to one that is plain or striped.
Also
- Human or animal form.
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filet
(textile - netting - lace effect)
Netting with a pattern or design embroidered into it to create a lace
effect, popular 16th to early 17thC and late 19th to early 20thC.
It is also known as lacis or darned netting. |
filigree
(Decoration - jewellery - silver ware)
Lace-like decoration made with fine gold or silver wire. It was widely
used in Europe from the late 17thC on jewellery and for openwork panels
set in boxes, baskets and cups. Birmingham was a manufacturing centre
in the 18th and early 19th centuries but thereafter much filigree
came from Malta, India and China. |
fillet
(decoration - ledge - leather work tool)
A small ledge supporting a shelf.
Also
- A small, narrow band found on architectural features in furniture,
such as on a fluted column.
Also
- A leatherworking wheel tool used in bookbinding to make straight
or parallel straight lines. The term can also refer to the line
itself.
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firangi
(militaria - sword - indian)
An Indian sword with a straight, strengthened blade for use with both
hands. The blade was often imported from Europe, hence the name firangi,
or 'foreigner'. |
fire
(gemstones - brilliance - reflection)
The bright flashes of coloured light displayed by a gemstone resulting
from its high refractive index and strong dispersion of light. The
fire of a stone is improved by faceting. There is more fire in a correctly
faceted diamond than in any other natural colourless gemstone - emeralds
and rubies have brilliance, not fire. |
fire
irons (metalware - tools - fireplace)
Collective name for a matching set of tools for stoking and cleaning
a domestic fire, including tongs, poker, shovel, brush, sometimes
a fork, and before the use of coal, a hook for handling logs. 18thC
fire irons were usually of polished iron or steel and tended to be
larger than later versions. Twisted handles were popular in the 1790s.
In the 19thC, fire irons were mainly made in brass. |
fire
polishing (glass - technique - brilliance)
Technique applied to pressed glass to give it greater brilliance.
Moulded objects are heated at the mouth of the furnace to remove the
dullness sometimes imparted from the trace elements in the iron mould.
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fireback
(metalware - cast iron - fire plate)
Cast-iron panel at the back of a fireplace to retain and radiate heat,
to protect the adjacent wall and for decoration. Firebacks are also
sometimes known as fireplates, iron chimneys and reredos. |
firedogs
(metalware - iron - brass)
See andirons. |
firing
(ceramics - baking)
The process of baking ceramics in a kiln. An initial or biscuit firing
causes a chemical change to take place in the clay paste, binding
the particles to form a hard, rock-like body. Firing temperatures
vary for different ceramics: up to 800°C (1450°F) for earthenware;
1200-1450°C (2200-2650°F) for stoneware; 1100-1200°C (2000-2200°F)
for soft-paste porcelain; and over 1400°C (2550°F) for hard-paste
porcelain. Subsequent firings may fuse the glaze or enamel colours
onto the body. |
alexander
fisher (ceramics - sculptor - 1864-1936)
British sculptor, painter and silversmith who specialised in enamelling.
He invented a widely copied technique that created an illusion of
depth in translucent enamel by using a foil background. Much of his
silverwork features celtic motifs. |
fitzhugh
pattern (ceramics - chinese export pattern)
chinese export porcelain with a trellis border in underglaze blue
or overglaze iron red, and inner flower clusters, thought to be named
after a family who commissioned the design. It was copied by various
English factories. |
fitzroy
barometer (scientifc - weather - cheap)
A cheap, serviceable mercury stick barometer which was mass-produced
from c1870. It includes printed paper weather-forecasting charts based
on Fitzroy's Rules' which were introduced on earlier marine barometers
designed by Admiral Robert Fitzroy. Fitzroy barometers were made in
variously styled cases, and typically also included a thermometer,
and a storm gauge. |
flagons
(silver - tankard - hinged lid)
Large vessels for serving wine or beer, like large-scale tankards,
which were made throughout Europe, generally in pairs. Flagons have
a flat bottom, slightly tapering sides and a handle and thumbpiece,
often with a hinged lid. They were rare before the 17thC and usually
made of ornate silver, to hold Communion wine. Towards the end of
the 17thC their use increased in taverns and households. |
flambe
(ceramics - crimson glaze - sang de beouf)
The French for 'flamed', referring to a lustrous, rich crimson-red
ceramics glaze with flashes of brilliant blue. The effect was produced
by firing a copper glaze in a reducing atmosphere - one that removes
oxygen from the glaze. The technique was used on Chinese porcelain
of the late 17th and 18th centuries, and rediscovered and widely applied
in Europe in the late 19thC. |
flange
neck (doll - neck - ridged base)
Doll's neck with a ridged base used to secure a bisque, china or composition
head to a cloth body. |
flashed
glass (glass - fine dipped layer)
Glass objects dipped into molten glass to give them a fine outer layer,
thinner than on cased glass, which is often in a contrasting colour.
The flashing may be cut or ground away in a pattern to expose the
layer underneath. |
flask
(ceramic - silver - glass - vessel)
Stoppered glass, ceramic or silver container for holding liquids,
often alcohol. Those for table use generally have a bulbous body and
a short neck. Small flasks for carrying on the person tend to be flattened
ovoids in shape, and also called pocket bottles or spirit flasks.
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flatback
(ceramics - staffordshire - figure)
Pottery figures designed to be viewed from the front only, with flat,
unmodelled and undecorated backs. They were intended as decorations
for cottage mantelpieces and produced mainly in the 19thC by staffordshire
potteries. The figures were easily reproduced in moulds, decorated
in underglaze blue, and embellished over the glaze with bright enamel
colours. Later models have a more limited colour range, some in black
and white with gilding. Late 20thC reproductions made from the original
moulds abound. |
flatware
(metalware - silver cutlery - flat dishes)
In silverware, the term strictly refers to articles of tableware made
from a flat sheet without a cutting edge, such as spoons, forks, sifters
and sheers, although in modern usage the term also includes knives.
The term also refers to other objects of flattened form, such as plates,
saucers, shallow dishes and salvers, as opposed to cups, bowls and
tureens (hollow-ware). |
flat-weave
(carpet - tapestry - kilim)
Generic term for any form of carpet or rug with a flat, tapestry-like
weave with no pile, including the kilim and sumakh. |
john
flaxman (ceramics - sculptor - wedgwood - 1755-1826)
British neoclassical sculptor and artist who designed and modelled
for wedgwood, producing friezes and portrait medallions, from 1775.
In the late 18thC he worked mainly as a marble sculptor and also produced
models for silver for Paul storr. |
flecked
glassware (glass - broken chips - nailsea glass)
Type of glass decorated with random coloured specks. The technique,
originally developed by the Romans in the 1stC ad, involves rolling
a gather of molten glass over broken chips of glasson a marver, and
then blowing it. Flecked ware is often called nailsea glass, but it
was also made at many other factories. Flecked glass was used to make
jugs, flasks and novelty items such as rolling pins.. |
flintlock
(militaria - ignition - mechanism)
Type of ignition mechanism on a firearm used from the early 17thC
until the early 19thC. Sparks were generated by friction between a
piece of flint and a steel plate, the frizzen. Below the frizzen is
a pan set next to a touch-hole in the breech. The sparks ignited powder
in the pan and, via the touch-hole, fired the main charge in the breech.
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flock
(decoration - powdered wool - paper)
Paper or cloth used as wall covering, with a stencilled design picked
out in glued-on powdered wool to give a contrasting velvety texture.
Flock was first used in France and Britain in the early 17thC and
was very fashionable in the 18thC. |
florin
(coins - gold - florence - britain)
Originally, a gold coin issued in Florence in the 13thC. In Britain,
a silver florin - face value 10p (2s) - was first issued in 1849.
The word 'florin' no longer appeared on these coins after 1936, although
the denomination still exists in the form of the modern lop piece.
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flow
blue (ceramics - transfer print - cobalt blue)
Term used to describe the fuzzy and blurred cobalt-blue transfer prints
on Staffordshire earthenware of the 1860s to 90s. |
flower
table (furniture - table - inset trays)
Table or stand specifically designed for holding plants or cut flowers.
Some have inset, wire-covered trays which were filled with wet sand
to hold cut flowers. |
flower-brick
(container - delftware - glass)
Brick-shaped container with holes pierced in the top for cut flower
stems. delftware versions were popular in the 18thC. Larger, semicircular
vessels with separate flower-holders are called bough-pots. |
flute
(glass - drinking glass - ratafia)
Tall, stemmed drinking glass for wine with a slender bowl which flares
out or narrows at the rim. Flute glasses were particularly popular
1773-1850. See ratafia.
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fluting
(decoration - column grooves)
Semicircular parallel grooves which run vertically up a column. |
Flux
A substance added to a glass or ceramic body that lowers the temperature
at which the fusion or melting of base materials takes place during
firing or smelting. Potash, bone-ash, borax, lime and soda are common
flux materials. |
fly
braid (textiles - decoration)
A decoration of knots and bunches of floss silk - popular on 18thC
dresses and christening gowns. |
fly
leaf and bracket (furniture - table - bracket)
Parts of a drop-leaf extending table: the fly or drop leaf of which
is supported by a hinged fly bracket or rail. |
fob
chain (clocks and watches - watch chain)
18thC term describing the chain used to secure a small pocket watch.
The term originated from the fob pocket (in the waistband of men's
breeches), and the word fob came to refer to any small ornament attached
to a fob chain, such as a fob seal. In the late 19thC, ladies' ornamental
watches suspended from a brooch on a short chain or strap were known
as fob watches. The watch face was sometimes displayed upside-down
so it could be read easily by the wearer. |
foley
china works (ceramics - staffordshire - pottery)
Staffordshire pottery founded 1860 and initially operated by Wileman
& Co. The pottery was known for its simple, bold designs and brightly
coloured decoration. The firm was renamed Shelley Potteries in 1925
and from the 1930s became a leading producer of art deco china, and
children's crockery. Tea sets and dinner services are notable for
their distinctive shapes, and floral, geometric and banded patterns
- many by leading British artists such as Vanessa Bell, Duncan Grant,
Laura knight and Graham Sutherland. The inverted cone-shaped cups
and sharp triangular handles of the 'Mode' range and the square plates
of 'Vogue' are typical. |
foliated
(furniture - decoration - leaf)
A cabinet-making term referring to leaf-shaped ornament. |
paul
follot (designer
- art deco - 1877-1941)
French interior decorator and early art deco designer of furniture,
textiles, carpets and metalwork. His furniture is finely made with
expensive materials such as ivory and shagreen.
Early
examples showed an art nouveau influence in their curving lines,
and c1929 came a more geometric, Art Deco style.
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fontaine
& percier (architects - designers - empire
style)
French architect-designer team who were mainly responsible for establishing
the empire style of the late 18th and early 19th centuries. Pierre-François-Leonard
Fontaine (1762-1853) and Charles Percier (1764-1838) were employed
by the Emperor Napoleon to provide an interior-design style that reflected
his life and empire. They designed furniture, silverware, textiles
and were the first to coin the term 'interior decoration'. |
(ceramic - metalware - base edge)
Slightly projecting rim on the base of an object, also called a foot-ring
or basal rim. |
(vessel - stoneware - metalware)
Portable container of hot coals or water, used throughout northern
Europe to keep feet warm. Most foot-warmers consist of an inner container
made of stoneware or metal with a perforated outer case of wood, wrought
iron, copper or brass, and were sometimes wrapped in carpet. |
forgery
(fake - deception)
A deliberate attempt at deception. See antique
fakes and forgeries. |
form
watch (clocks and watches - imitating form - memento
mori)
Watch made in the form of another object. Early examples of the 17thC
were intended as a memento mori (reminder of death), often in the
form of a cross or a skull. 19thC revivals included stringed instruments,
shells and flower heads. |
alphonse
fFouquet (jewellery - designer - french -1828-1911)
French jewellery designer who specialised in enamelling and was inspired
by renaissance designs. Many of his designs are carved onto precious
stones. His son Georges (1862-1957) joined the firm in 1881 and took
it over in 1895, designing pieces in art nouveau style. |
foxing
(paper - discolouring - fungal growth)
Brownish-yellow spots or stains, or other discoloration on paper,
a form of fungal growth caused by damp. |
kaj
franck (designer - scandinavian - 1911-89)
Finnish designer who did much to bring modern Scandinavian design
to international status during the 1950s and 60s. He was an independent
designer of lighting, furniture and textiles, noted for his disciplined
functionalism, and was artistic director of Finland's leading ceramics
factory Arabia, 1946-78. |
frankenthal
(ceramics - manufacturer - german)
German porcelain factory founded 1755 which produced a type of hard-paste
porcelain with a glaze able to absorb enamel colours. Frankenthal
produced tablewares in the style of meissen and sevres. Figures and
statuettes in various styles including commedia dell'arte and chinoiserie
were a speciality. The factory closed in 1799. |
free-blowing
(glass - making)
Glass-making process in which the glass is shaped in its molten state
by blowing air through a blowing iron without the use of a mould.
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french
polish (wood - lacquer - shellac)
Form of lacquer used on furniture consisting of shellac dissolved
in a solvent giving a harder, shinier finish than beeswax. It was
introduced late 18thC and became popular in the early 19thC. |
fretwork
(decoration - trellis - wood cutting)
Geometric, trellis-like pattern of intersecting vertical and horizontal
lines repeated to form a continuous band.
Also
- The technique of cutting thin pieces of wood with a fine-bladed
saw (fret saw) to form shapes or patterns. The fretwork pattern
might be left open, as on table galleries, or blind, in which
the fretwork is carved upon or applied to a solid surface and
cannot be seen through. It is sometimes seen backed by fabric
such as pleated silk, as on a decorative panel on a door or a
cupboard.
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frieze
(decoration - band - furniture)
An ornamented, horizontal band of painted or sculptured decoration.
Also
- The horizontal band beneath the cornice of a bookcase or cabinet.
A convex horizontal band beneath a cornice is known as a cushion
frieze. A frieze rail is the horizontal length of wood beneath
the top of a table or desk stand, and is also known as a curtain
piece.
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friggers
(glass - apprentice pieces - examples)
Unique novelty glassware items such as bells, pipes or toys made by
glass-makers, not for use, but to demonstrate their skills. |
frit
(glass - powder - soft paste porcelain)
Powdered glass which is melted, allowed to solidify and then re-ground
and used as a fusible substance in the manufacture of soft-paste
porcelain.
Also
- The ingredients that are mixed and fired to make glass.
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fromanteel
family (clocks and watches - pendulum clock)
Large Flemish family of clock-makers working in London in the 17th
and early 18th centuries. In 1658-9 John Fromanteel visited Holland
to learn the art of pendulum clock-making. The family proceeded to
make the first pendulum clocks for the London market c1659. |
frosted
silver (decoration - silver - acid)
Decorative effect on silverware produced by acid treatment. All commercial
silver contains a proportion of copper. If the article is heated and
dipped into a suitable acid, the copper component is eaten away, leaving
a textured surface. This process was used to decorate silver articles
in the 19thC, especially as a background for highly polished decoration
on silver or silver gilt. |
frozen
charlotte (doll - porcelain - one piece)
A doll cast or modelled as a single complete piece. Frozen Charlottes
were usually made of glazed porcelain and were also known as solid
chinas. They were produced from the mid- 19thC to c. 1910. Some have
a flesh-coloured china face and neck and a white china body. celluloid
versions appeared from the early 20thC. |
fubako
(box - japanese - lacquered)
Long, rectangular Japanese lacquer box designed for carrying letters
or messages. |
fuddling
cup (vessel - tin
glazed - joke)
A vessel often with three or more small cups and interlinked handles.
It was offered in jest as a challenge to drink from one cup without
spilling the contents of the others. Fuddling cups were made in tin-glazed
earthenware, specially in the West Country, in the 17th and 18th centuries.
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fulham
carpet manufactory (carpets - savonnerie - thomas
witty)
The London site where the first large, Turkish-knotted
woollen carpets were made in Britain.
Founded in 1750 by a Frenchman, Pierre Parisot, with the expertise
of two savonnerie weavers.
The
high prices charged for the carpets forced the factory's closure
in 1755, but the techniques were adopted by Thomas Whitty, founder
of the axminster Carpet Manufactory.
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Fulham
pottery (ceramics - manufacturer - william de
morgan)
See william de morgan |
fuller
(militaria - sword - groove)
Groove in a blade of a sword or dagger designed to strengthen and
lighten the blade. |
fumed
oak (wood - ageing - ambrose heal)
The result of exposing new pieces of oak to ammonia solution to give
them an appearance of age. The wood turns grey before fading to yellow-brown.
The technique was popular in the 1930s and 40s and was used by the
British designer Sir ambrose heal. |
functionalism
(period - adolf loos)
Austere, early 20thC design movement based on the premise that 'form
follows function'. The movement's ideas were best expressed in the
book Ornament and Crime (1908), by architect Adolf Loos (1870-1933).
Functionalism's impact on industrial design was particularly effected
through the bauhaus school. see antique
periods |
furstenburg
(ceramics - manufacturer)
Small Bavarian porcelain factory founded 1747 which produced hard-paste
porcelain from 1753. Early wares include Rococo-style vases and tableware
in rich colours and gold, painted with landscapes, birds or figures.
From 1770 the factory was influenced by berlin and sÈvres and
produced busts, statues and painted wall plaques with ornamental Rococo
frames. From c1790 Furstenburg followed the neoclassical style and
later the empire style products of Sèvres. |
fusee
(clocks and watches - going spring)
Coned-shaped device in clocks to even out the decreasing force of
a going spring on unwinding. The device was invented c1500, used to
the late 17thC in continental clocks and to c1750 in continental watches.
In Britain its use in clocks and watches continued until c1880-1900. |
fusil
(militaria - musket)
A lightweight musket with a flintlock mechanism used in the 17th and
18th centuries. |
fustian
(textiles - velvet weave - corduroy)
The name for various textiles woven in a similar way to velvet with
a short piled surface. They include a coarse material of cotton and
flax used for bed-hangings and clothes in medieval Europe, a wool
fabric made using the same weaving technique in the 14thC, and from
the 16th to 19th centuries, coarse twilled cotton cloth, velveteen
and corduroy |
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